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Hidden Hands - A Different History of Modernism
Season 1, Ep 4: Painting with the Enemy
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S1 · E4
45m
1. Is Anybody There?
The occult roots of abstract painting, especially the influence of Theosophy on Vasily Kandinsky and Piet Mondrian. Kazimir Malevich and Frantisek Kupka are also mentioned at the beginning of the programme but we don’t hear anything more about them.
45m
2. Art and the CIA
A history of the Congress for Cultural Freedom, a CIA front for channelling money to avant-garde exhibitions and literary magazines during the Cold War.
45m
3. A Clean White World
Modernist architecture as a reaction to, and proposed solution for, the squalor of 19th-century city life. Also the similarity between the impulses that drove the Modernist architectural ideal, and the later health and purity obsessions of European fascist states.
45mPlaying
4. Painting with the Enemy
The inadvertent way in which the animus towards “degenerate art” shared by the Nazis and the Vichy regime in occupied France helped sustain Modernism during the war years.
